Coat of Arms
A coat of arms is a heraldic visual design on an escutcheon (i.e., shield), surcoat, or tabard. The coat of arms on an escutcheon forms the central element of the full heraldic achievement which in its whole consists of: shield, supporters, crest, and motto. A coat of arms is traditionally unique to an individual person, family, state, organization or corporation.
Rolls of arms are collections of many coats of arms, and since the early Modern Age centuries they have been a source of information for public showing and tracing the membership of a noble family, and therefore its genealogy across time.
There is no more enduring symbol of heritage and nobility than 'the Coat of Arms'. Of course, heralds did not know, or even suspect, that seven or eight hundred years after their creation discussions would still be taking place about their representation, authenticity, composition, and so on. Heraldry endures and so far at least, nothing has been invented to replace it. The practice of 'inheritance by primogeniture' means there is a relatively miniscule number of people who are actually entitled to bear a coat of arms, for example, estimates of around 40,000 in England.
Lion (heraldry)
The lion is a common charge in heraldry. It traditionally symbolises courage, nobility, royalty, strength, stateliness and valour, because historically the lion has been regarded as the "king of beasts". The lion also carries Judeo-Christian symbolism. The Lion of Judah stands in the coat of arms of Jerusalem. Similar-looking lions can be found elsewhere, such as in the coat of arms of the Swedish royal House of Bjelbo, from there in turn derived into the coat of arms of Finland, formerly belonging to Sweden.
Lions in British heraldry
"The lion has become a major motif for Britain because of its early uses by King Henry I of England and popularization by Richard the Lionheart in the third crusade. The influence of the Lion being used as a symbol or motif can be traced as far back as the Neolithic period.
King Henry I of England was the first king of England known to use a heraldic design: a signet ring with a lion engraved on it. The design would be altered in later generations to form the Royal Arms of England. Henry was said to have given a badge decorated with a lion to his son-in-law Geoffrey Plantagenet, Count of Anjou. Heraldry is thought to have becoming popular among the knights on the first and second crusades, along with the idea of chivalry. One example of this is the seal of John Mundegumri (1175), which bears a single fleur-de-lys. Prior to the 16th century, there was no regulation on the use of arms in England.
The lion as a heraldic charge is present from the very earliest development of heraldry in the 12th century. One of the earliest known examples of armory as it subsequently came to be practiced decorates the tomb of Geoffrey Plantagenet, Count of Anjou, who died in 1151. An enamel, probably commissioned by Geoffrey's widow between 1155 and 1160, depicts him carrying a blue shield with golden lions rampant and wearing a blue helmet adorned with another lion. A chronicle dated to about 1175 states that Geoffrey was given a badge of a gold lion when he was knighted by his father-in-law, Henry I, in 1128."
Category: Argent a lion sable
The Lion Rampant: arms (lionrampant.org.uk)
Note: Many broken links. Saved arms page as local copy.
In the book "The Norman People and their existing descendants in the British dominions and the United States of America", 1874 (Author: Name not stated), we find reference to:
"Ginn. N. and William Guenes or Guines of Normandy, 1180-98 (MRS);
Osborne, Henry, William de Gene, England, c 1272 (RH). (pg 261) (enter 281)
https://archive.org/details/normanpeopleand00unkngoog/page/n279/mode/2up
Gynne, for Gynn.
Gynn, or Gynney.
Richard de Gisnei, Normandy 1180-95 (MRS);
Roger de Gisneto, England 1109 (RCR).
source: https://archive.org/details/normanpeoplethei00lond/page/n573/mode/2up, pg 274
I find the coincidence of names quite compelling. While I have found no evidence to confirm or negate any relationship, I want to know if 'Gynn' and 'Gynney' are somehow related? See also 'An Heraldic Conundrum' where I discuss the similarity of the coat of arms awarded to 'George Gynn' to the arms of 'Gyney' of Norfolk? There is also the 'argent, three lions rampant sable' design motif which appears on 'The Dering Roll', where we find 'William le Genne' using this design. So, I am attempting to discover the relationship between these men, if there is any.
#34 Willem le Genne - Description of arms: Argent three lions rampant sable. The lions are not crowned. (See below) Ultimately the purpose is to discover the man or anything about him. This is nearly identical to the arms of the village of Roncq in Nord-France.
A very nearly identical blason is used by Guil. Le Leonnoys
"D’argent à trois lions de sable". (no crown)
N°144 dans 'Le rôle d’armes du second traité de Guérande' (1381), Michel Pastoureau, Bulletin de la Société Archéologique du Finistère, 1976.
Membre non identifié de la famille Le Lionnais. On ne connait pas ses armes réelles, car il ratifie le traité sous le sceau de Jean de la Chapelle, écuyer, puis sénéchal de Dol en 1384.
Il ratifie le traité le 25 avril 1381 à Dinan."
BUT, as the text states: "We do not know his real arms, because he ratifies the treaty under the seal of Jean de la Chapelle, squire, then Seneschal of Dol in 1384". (Google Translate)
see also: FranceGenWeb
These arms are very similar to the arms of 'House of Halewijn, Lords of Halluin and Rozbeke: Also known as House of Halluin, Halwyn, Hallwin (County of Grandpré)' except that the lions have crowns.
An essentially identical shield also appears as '931. Daniel, Lord of Halluin' in the Gelre Armorial folio 80. See note 1.
Ce sont les armes de la famille Lucy, d'ancienne chevalerie. (UCGL) See also: LUCY @ geneanet.org and la famille Lucy en France entre 1891 et 1915 (shows distribution of name by postal code region)
D'argent à trois lions de sable, armés et lampassés de gueules, couronnés d'or. Note: There are numerous branches of this family.
Here the mystery deepens because the arms representing the 'Cadet Branch of House of Halewijn-Lichtervelde, Lords of Lichtervelde' looks like this:
In this version the 'argent, three lions rampant sable' underlays the 'azure, a chief ermine' motif, except that the crowns and the claws are gold, the tongues are red. That is to say, the arms representing 'Daniel, Lord of Halluin' (or possibly 'Lucy') underlay the arms representing a branch of 'Halluin'. This is a case of a variation of a 'blason' wherein some alteration has been used to show a branch of a larger family —but what, if any, is the connection between these two entities? And is there a connection to 'Willem le Genne' whose 'blason' may simply be a variation of the Lichtervelde 'blason' wherein the crowns have been removed to show a different branch or some other relationship, such as locality. See also: An Heraldic Conundrum
source: http://wappenwiki.org/index.php/Gelre_Armorial_Folio_80
As stated above, in the book "The Norman People", there is this reference to:
Ginn. N. and William Guenes, William Guenes or Guines of Normandy, 1180-98 (Magni Rotuli Scaccarii Normanniae); Osborne, Henry, William de Gene, England, c. 1272 (Rotuli Hundredorum ( reference @ Wikitree)). He may be an ancestor but there is no way to find a link to this man. The information is included to demonstrate how Coats of Arms are important and how they are used as a representation of an individual, or possibly a family or a place.
[ The Norman People, Anonymous; ie author name not stated, pg 274 (1874) ]
On 'The Dering Roll', we find 'William le Genne'
#34 Willem le Genne - Arms: Argent three lions rampant sable. This is similar to the blason for the village of Roncq (above) which the lions do not have crowns.
aka: William le Jone, who also appears in The Heralds' Roll, HE696 (d. 1310) (http://www.aspilogia.com/HE-Heralds_Roll/img/696.png)
aka: Willem le Jon.
Note: this blason is very similar to:
The arms of Halluin (see above) or The Lordship of Halluin except both of these have a crown, a red tongue and claws of gold and are described as: 'Argent, 3 lions sable langued gules, armed and crowned Or'.
There is no information available for 'The Lordship of Halluin' which appears to have been located in Belgium.
The blason also appears on '#26: Argent, three lions rampant sable (Cheverell)' from 1696
"Heraldic escutcheon above effigy and monument to Sir Amyas Bampfield (d.1626), All Saints Church, North Molton, Devon, England. Thirty quarterings. Similar 30 quarterings visible on funeral hatchment in Poltimore Church to Sir Coplestone Bampfylde, 2nd Baronet (d.1691)".
This same Coat of Arms appears on the Galloway Roll (Part 2):
# 170 Alexander de Cheverel; 'Argent three lions rampant sable' except with red tongue and claws.
This is an occasional roll dating from c 1300, during the campaigns of Edward I against the Scots. It is not precisely known to which occasion it refers, and may be incomplete. It probably refers to a skirmish which took place about three weeks after the siege of Caerlaverock. The manuscript is M14bis, pp376-90, College of Arms, London.
A similar blason appears for the village of D'Ans Freloux (Belgium)
described as: Per pale, 1st argent, three lions rampant sable, 2nd, argent 7 lozenges azure 3, 3 and 1 conjoined. Motto: nos prohibeo vulnero propinquo
see also: https://www.armorial.org/produit/3078/ans-de-freloux.html
See also: Jemeppe Castle
In Flemish Heraldry, 'Argent, three lions ... is used by Halewin
See: # 55, 56, 58, 60, 60 but are always 'armed or' which describes the gold claws.
Coat of Arms: Gand, Belgium
Described as: De sable a un lion d'argent languée de gueules, griffé et couronné d'or, portant au cou un collier avec une croix du même pendante sur sa poitrine.
GENT, Chapter 7, Flemish Nobility
blason - Ghendt (Van) dit Van Vaernewyck (ou de Grand dit Van Ghendt)
A similar blason appears on Gösenroth
Gösenroth is an Ortsgemeinde – a municipality belonging to a Verbandsgemeinde, a kind of collective municipality – in the Birkenfeld district in Rhineland-Palatinate, Germany. It belongs to the Verbandsgemeinde Herrstein-Rhaunen, whose seat is in Herrstein.
Described thusly: 'An endorse vert between Or a lion rampant sinister gules armed and langued azure, and argent three lions rampant sable'.
Side note: Cathedral Priory of Rochester – A history of the church was kept between 1315 and 1350, most likely by a notary named William de Gene. This passage shows the impact of the plague on societal structure:
A great mortality ... destroyed more than a third of the men, women and children. As a result, there was such a shortage of servants, craftsmen, and workmen, and of agricultural workers and labourers, that a great many lords and people, although well-endowed with goods and possessions, were yet without service and attendance......Such a shortage of workers ensued that the humble turned up their noses at employment, and could scarcely be persuaded to serve unless for triple wages. Instead, because of the doles handed out at funerals, those who once had to work now began to have time for idleness, thieving and other outrages, and thus the poor and servile have been enriched and the rich impoverished. As a result, churchmen, knights and other worthies have been forced to thresh their corn, plough the land and perform every other unskilled task if they are to make their own bread.(c.1349) (source: https://www.highwealdacademy.kent.sch.uk/_site/data/files/documents/curriculum/powerfulknowledge/Term%203%20and%204/6810552E276E134F296ADFB0718EFCD8.pdf)Another reference quotes the name of the chronicler as 'William de la Dene' or 'William Dene'
William de la Dene, Historia Roffensis,
(source: https://www.bl.uk/collection-items/a-firsthand-account-of-the-black-death-written-at-the-cathedral-of-rochester#)
In this context, the following are all examples that include uses of a 'lions rampant' motif. All of these examples are extracted from Wikipedia, except as noted.
First, lets look at 'lions' in heraldic representation used by Royalty. Most of the time these are 'lions passant' but early on may occasionally be 'lions rampant'.
Arms of England at the time of Henry II show both 'lions rampant' and 'lions passant'. The 'lions passant' motif became the one used by British Royalty and is still used to this day.
Arms of Guillaume Plantagenêt, comte de Poitou
Fils de Geoffroy Plantagenêt, oncle de Richard Cœur de Lion. "Un lion". Sur un acte à Burghley. Ou peut-être comme comte du Poitou (Guillaume Plantagenêt, comte de Poitou @ myheritage.com)
Richard I of England: Richard the Lionheart (Cœur de Lion), comte d'Anjou et du Maine (1183), duc de Normandie (1189), duc d'Aquitaine et comte de Poitiers (1189-1196 et 1198-1199)
The second Great Seal of Richard I (1198) shows him bearing a shield depicting three lions passant-guardant. This is the first instance of the appearance of this blazon (french:blason), which later became established as the Royal Arms of England. It is likely, therefore, that Richard introduced this heraldic design. In his earlier Great Seal of 1189, he had used either one lion rampant or two lions rampants combatants, arms which he may have adopted from his father.
See also: Armorial of the House of Plantagenet and Richard the Lionheart's encounters with lions
The Kings of England only used the 'lions passant' aka 'lions passant-guardant' theme after Richard I.
Note: This is by no means a complete list. There are probably hundreds of examples of uses of 'lions rampant' in heraldic emblems. Some may have disappeared over time.
Armorial of the House of Plantagenet
The House of Plantagenet was the first truly armigerous royal dynasty of England. The arms of this noble, later royal, family, Gules, three lions passant guardant or (armed and langued azure), termed colloquially "the arms of England" signifying the "arms of the royal house of England", were first adopted by King Richard the Lionheart (1189–1199), son of King Henry II of England (1154–1189), son of Plantagenet founder, Geoffrey Plantagenet, Count of Anjou.
Enamel effigy of Geoffrey Plantagenet from his tomb at Le Mans.
His decorated shield suggests early origins of the three lions of the Royal Arms of England.
An enamel effigy (funerary plaque) commissioned by his widow to decorate the tomb of Geoffrey of Anjou is one of the earliest examples of European heraldry. Jean de Marmentier, a late-12th-century chronicler, reported that in 1128 Henry I of England knighted his son-in-law Geoffrey and granted him a badge of gold lions. A gold lion may already have been Henry's own badge, and different lion motifs would later be used by many of his descendants. The enamel shows Geoffrey with a blue shield depicting gold lions, apparently the same motif later used by a grandson of Geoffrey, William Longespee. In addition to being one of the first authentic representations of a coat of arms, according to British historian Jim Bradbury it "suggests possible evidence for the early use of what became the English royal arms".
Geoffrey V (24 August 1113 – 7 September 1151), called the Handsome, the Fair (French: le Bel) or Plantagenet, was the count of Anjou, Touraine and Maine by inheritance from 1129, and also the duke of Normandy by conquest from 1144. His marriage to Empress Matilda, daughter of King Henry I of England, led to the centuries-long reign of the Plantagenet dynasty in England. The name "Plantagenet" was taken from Geoffrey's epithet. Geoffrey's ancestral domain of Anjou gave rise to the name Angevin, and what became known as the Angevin Empire in the 12th century.
Arms of Longespée, as drawn by Matthew Paris (d. 1259): Azure, six lions rampant or, 3,2,1. As seen sculpted on the shield of his effigy in Salisbury Cathedral.
Note: The pattern on the inside of his cape is known as 'Vair' and is the motif used on the blason for the 'Comtes de Guînes'.
Geoffrey Plantagenet, Count of Anjou
Arms of Geoffrey of Anjou. Azure, six lions rampant Or armed and langued Gules, three, two and one.
The lion as a heraldic charge is present from the very earliest development of heraldry in the 12th century. One of the earliest known examples of armory as it subsequently came to be practiced can be seen on the tomb of Geoffrey Plantagenet, Count of Anjou, who died in 1151. An enamel, probably commissioned by Geoffrey's widow between 1155 and 1160, depicts him carrying a blue shield decorated six golden lions rampant and wearing a blue helmet adorned with another lion. A chronicle dated to c. 1175 states that Geoffrey was given a shield of this description when he was knighted by his father-in-law, Henry I, in 1128. (source: Lion Heraldry, Wikipedia)
Coat of arms of the Counts of Poitiers.
Blazon description: Argent a lion rampant gules.
Coat of arms of Flanders (Belgium, France and Netherlands) | Belgian Heraldry
The County of Flanders (Dutch: Graafschap Vlaanderen; West Flemish: Groafschap Vloandern; French: Comté de Flandre) was a historic territory in the Low Countries.
From 862 onwards the counts of Flanders were among the original twelve peers of the Kingdom of France. For centuries their estates around the cities of Ghent, Bruges and Ypres formed one of the most affluent regions in Europe. The Flemish lion derives from the arms of the Counts of Flanders. Their first appearance is on a seal of Count Philip of Alsace, dating from 1163. As such they constitute the oldest of the many territorial arms bearing a lion in the Low Countries.
English: Or a lion rampant sable armed and langued gules.
Français : D'or au lion de sable armé et lampassé de gueules.
A similar arms is used by Namur (province in Belgium)
Described as: D'or au lion de sable armé et lampassé de gueules, et couronné d'or, au baton de gueules brochant sur le tout: couronne comtale à treize perles dont trois relevées. and also the Flemish Community
Nord-France. This region is by far the region where this design motif is most commonly used. At least 55 'communes' (villages) use it. The most obvious reason is because this region was once part of historic 'Flanders', an ancient kingdom that already existed at the time of the Norman Conquest. Geographically, Flanders included parts of France, half of Belgium, as well as parts of Holland. The number in brackets (59) refers to postal code for the region of Nord-France.
Armorial of the Communes of Nord: (A–C) | (D–H) | (I–P) | (Q–Z)
Complete lists of Nord armorial pages. Numerous entities use the 'lions rampant' motif.
Other regions of France: (Number of blasons with 'lions'; most don't specify 'rampant' even when they are)
Armorial des familles de Bretagne
Numerous examples of 'lions rampant' in use although they may be described differently.
See also: Coat of arms of the Netherlands and Coat of arms of Luxembourg
See also: History of the Counts of Harnes by Mike Clark, PhD.
Arms described as 'gold rampant lion on a red field'. The design is very similar to the blason for Valenciennes.
In our own country mutations of arms were by no means in frequent, as in the case of the FERRERS, Earls of DERBY; and a noble marrying a lady of higher position, or greater possessions, usually assumed her arms. (pg 52)
The earliest seal of a Count of Flanders given by VREE, in his work 'De Seghelen der Gravenvan Vlaendren', which bears a shield charged with the lion of Flanders is that of Count ROBERT on plate 4, attached to a charter of 1072. (pg 47)
the black lion of Flanders (pg 58)
Argent, three lions rampant gules, crowned azure is the coat of BARBANCON.
Argent, three lions rampant sable, is used by CHEVERELL in England, and with the lions crowned or, by HALEWIJN of Flanders (Armorial de Gueldre). (See: Halluin)
Gules, three lions rampant or, was the coat of Prince TALLEYRAND-PERIGORD. (pg 223)
CHAPTER VII. ANIMATE CHARGES: II. BEASTS. I.THE LlON.
No animal has anything like so prominent a position in early, and even in later heraldry, as that which is held by the Lion. The earliest known example of it is on the seal of PHILIP I., Count of FLANDERS, appended to a document of 1164 (pg 208)
see pages 208 - 217
Or, a lion rampant sable (d'Or, au lion de sable) is the well known coat of the Counts of FLANDERS (pp.483);
Or, a lion rampant gules (d'Or, au lion de gueules) is the blazon of the Counts of HOLLAND, and the original coat of the Counts of HAPSBURG,
Argent, a lion rampant azure (d'Argent, au lion d'azure) is the coat of the CRICHTONS of Frendraught; of the BRUGES, and FAUCONBERGES, or FALCONBRIDGES; and of the Counts MENSDORFF-POUILLY of Austria. (pg 208 - 212)
see image pg 213
Argent, a lion rampant gules (d'Argent, au lion de gueules) is borne by the Counts of ARMAGNAC in France; theBarons of WARTENBERG (Wappenrolle von Zurich, No.191), the Counts von ALTDORF; the PREISSACS, Dues de FlMARGON, and D'ESCLIGNAC in France; and by the family of FEZENSAC (Salle des Croises, 1097)
Argent, a lion rampant sable (d'Argent, au lion de sable), are the arms of STAPLETON, and FlTZROGER in England, the Welsh families of LLOYD; MORGAN; WYNN, etc., the Counts BARBARANI, and LOREDAN of Venice, the Barons BERSTETT of Austria, the French families of FlENNES, and POLASTRON (both in the Salle des Croises, thirteenth century), etc
... more ... (pg 213 - 217)
source: https://ia802701.us.archive.org/29/items/treatiseonherald00wooduoft/treatiseonherald00wooduoft.pdf
Armorial des familles de France
Bibliographie. Sources : * H. GOURDON de GENOUILLAC : Recueil d'armoiries des maisons nobles de France. E. Dentu, Éditeur. Paris. 1860.
British Armorial Bindings, U Toronto
British Heraldry Bookshelf by Karl Wilcox
Armorial de Rietstap (Wikipedia)
COATS-OF-ARMS-HERALDRY.COM All about heraldry
French Heraldry
The French system of heraldry greatly influenced the British and Western European systems. Much of the terminology and classifications are taken from it.
Gelre Armorial (Wappenwiki)
Heraldry Portal
Heraldry encompasses all of the duties of a herald, including the science and art of designing, displaying, describing and recording coats of arms and badges, as well as the formal ceremonies and laws that regulate the use and inheritance of arms. The origins of heraldry lie in the medieval need to distinguish participants in battles or jousts, whose faces were hidden by steel helmets.
Heralds Network
Host of: Saitou's online adaptation of A Glossary of Terms Used in Heraldry, by James Parker.
A GLOSSARY OF TERMS USED IN HERALDRY, by JAMES PARKER, FIRST PUBLISHED in 1894
L'Armorial
Le site des blasons des villes et des villages de France
List of oldest heraldry
Heraldry developed in the High Middle Ages (c. 1000-1250), based on earlier, "pre-heraldic" or "ante-heraldic", traditions of visual identification by means of seals, field signs, emblems used on coins, etc. Notably, lions that would subsequently appear in 12th-century coats of arms of European nobility have pre-figurations in the animal style of ancient art (specifically the style of Scythian art as it developed from c. the 7th century BC).
Liste de blasons d'après les sceaux du XIIe siècle
Nord (département 59) @ Linternaute.com (Villes > Hauts-de-France)
WappenWiki
WappenWiki deals with heraldry, here you will find standardized coat of arms of countries in medieval Europe, Anatolia and the Holy Land. Coat of arms throughout Europe, Anatolia, the Holy Land & the New World, from about 1100 and onwards.
Note 1:
Arms using the 'Argent, 3 lions sable' motif:
BAERKEN | Argent, 3 lions Sable, crowned Or. Crest: a lion of the shield, issuant. |
BARRE-TREFFIÈRE (DE LA) | Argent, 3 lions Sable, armed, langued and crowned Or. |
CHAULE | Argent, 3 lions Sable, armed and langued Gules. |
CREEFT (DE) | Argent, 3 lions Sable, armed, langued and crowned to the ancient Gules. Crest: a lion of the shield, issuant. Supporters: two savages Proper, girded and crowned of ivy, pressed on their clubs. |
CREEFT (DE) | Argent, 3 lions Sable, armed, langued and crowned to the ancient Gules. Crowned Helmet. Crest: a lion of the shield, issuant. Supporters: two savages Proper, armed of clubs. |
DESPIERRES dit DE HALEWYN | Quarterly: 1st and 4th, Sable, to a bend of lozenge conjoined Argent; 2nd and 3rd, Argent, 3 lions Sable, armed and langued Gules, crowned Or. |
LOUET DU BUSOCHE | Argent, 3 lions Sable. |
MICHE | Argent, 3 lions Sable, armed, langued and crowned Or. |
PRINCE (LE) | Gules, a fess Or, charged of three crescents of the field. Crest: a crescent of the shield. (Alias: After the adoption of the name of Chastel, it took: Gules, a fess Or, accompanied of three hammers leaning of the same, over all Argent, 3 lions Sable, armed and langued Gules, crowned Or, accompanied in middle fess point of a tower Azure which is of Chastel to the blue. Crowned Helmet. Crest: a demi-lion issuant Or. Supporters: two griffins Or). |
source: http://www.coats-of-arms-heraldry.com/armoriaux/rietstap.html